By Andrew Horton, Joanna E. Rapf
A wide-ranging survey of the topic that celebrates the range and complexity of movie comedy from the ‘silent’ days to the current, this authoritative consultant bargains a global viewpoint at the well known style that explores all features of its formative social, cultural and political context
* A wide-ranging number of 24 essays exploring movie comedy from the silent period to the present
* overseas in scope, the gathering embraces not only American cinema, together with local American and African American, but in addition comedian motion pictures from Europe, the center East, and Korea
* Essays discover sub-genres, performers, and cultural views reminiscent of gender, politics, and heritage as well as person works
* Engages with diversified strands of comedy together with slapstick, romantic, satirical and ironic
* good points unique entries from a various team of multidisciplinary foreign contributors
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Additional info for A Companion to Film Comedy
It presents those ideas to the public, in veiled form, even before those ideas are veriﬁed by scientiﬁc studies and disseminated through scientiﬁc circles. Artists veer toward the vanguard, expressing unconventional ideas and attitudes that are still simmering among scientists and serious scholars. Such was the case with the Surrealists, who promulgated Freudian dream theories through poems and paintings long before psychiatrists and other therapists adopted Freudian techniques. Biographers conﬁrm that Caligari’s screen writers were inspired by personal or family forays with psychiatry and insanity and suicide.
Psychoanalysts were prohibited from practicing, and so were the ﬁrst professionals to exit Europe. Many settled in Hollywood (and in New York, Chicago, and Buenos Aires). The ﬁlm industry acquired these psychoanalytic inﬂuences along with the abundant ﬁlm talent of the refugees. While still a medical student, Freud conducted scientiﬁc research into the intersexuality of eels. These studies of sexual dimorphism anticipated his later psychoanalytic theories about the sexual sources of behavior. After graduating from medical school in 1881, Freud experimented with cocaine and wrote his Cocaine Papers.
They inspired debate among social scientists, political scientists, psychiatrists, neuroscientists, and anthropologists. His ideas inﬁltrated art, literature, cinema, philosophy, and even theology. Had it not been for St. Sigmund’s inspiration, we might not be so concerned with consciousness or motivation or deep-seated meanings or family dramas or sexual symbolism. ” (That was the brainchild of Romantic philosopher C. G. ) Still, it was Freud who made us self-conscious about the differences between conscious acts and unconscious thoughts.